Your RIP choice may also include tools that create ICC color profiles, or tiling tools that will allow you to print large images (murals, wraps) in wide strips to be installed seamlessly or with overlap joints. You might also choose a RIP that offers sophisticated color correction tools, which allow saving work profiles that can be later employed on similar jobs. Though all high-end RIPs include ancillary systems, the most common are nesting systems that arrange a collection of images in a space-saving orientation to ensure efficient use of the media. Before deciding, be sure that both your computer hardware (and your market) can handle the additional load. For an upgrade fee, most major RIP companies will provide you with add-on systems that accept additional printers. The obvious solution is to add additional printers. This type of design station, RIP software and print machine configuration can initiate a significant increase in print-process speed with one printer, but what happens if the printer itself becomes the bottleneck? In other words, what if your system is processing nicely, but the machine cannot print any faster? ADDING PRINTERSįurther, the more RAM, disk storage and processor core in the computer system, the better the speed and capacity. There, the RIP station takes over, processes the image files, queues them and directs them to the printer. And, with a premium RIP, the design workstation driver transfers the finished image files directly to the RIP processing queue. Our alternative is a high-end RIP, installed on a beefy and dedicated PC, which will noticeably accelerate these processes.Ī premium RIP tied to a high-horsepower computer frees up the design stations to process the next job. Many operators don’t realize that the last step, the file-to-bitmap conversion, is the most intensive part of the process it can delay other procedures from occurring until the image file forwards to the print queue, thus releasing the computer for other work. So how does a proficient, high-end RIP help streamline operations? The image printing processes are straightforward: prepare the image, determine size and media type, and forward the job for printing, which is when the image codes move to the image processor software. You check the system to learn the printer is functioning properly and the supplied software seems to work okay, so what’s the problem? In this circumstance, our first look would be at the software, because the cure might be to install a more proficient software, i.e., a high-end, raster image processor (RIP). I have to change the CRS to the CRS used for assigning coordinates to the raster.You just purchased a 1,000-sq.-ft./hr.-digital printer and are looking forward to producing yards and yards of profit-making images, but soon notice that you’re not generating the volume of prints you expected. If I create an output like this, I have the same problem as you: the distorte map does not show. If you now assign CRS EPSG:4326, these coordinates are interpreted as lat/lon coordinates and are way off of the extent of +/-90 degrees N/S and +/-180 degrees E/W (see here for more information about setting CRS. So the coordinate values you introduce are in 3857, see screenshot (with the map taken form your screenshot): The last line is the control point for Ljubliana, the coordinates are 1609680 / 5791430: However, when you set your GCP points, you probably get the coordinates form a basemap in CRS 3857 like OpenStreetMap, Google or else. The details: The problem is that you set the CRS for output to be 4326 - a CRS with geographic coordinates. The short answer: you must set the correct CRS: in your case probably EPSG:3857 (instead of 4326).
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